NCPA Timeline
1966
The Dream
It began, as most great things do, with a dream. It was a dream dreamed by few and pursued by even fewer – that of establishing a definitive arts and culture centre in the country. But the strength of this dream gave it wings, propelled solely by the resolute mind behind it, that of Dr. Jamshed Jehangir Bhabha. Dr. Bhabha keenly felt the lacuna of a pioneering institution to promote and safeguard India’s performing arts tradition. “In India, more perhaps than in any other country, music and related arts constituted a most important part of the country’s 5,000-year-old cultural and spiritual legacy. Music accompanied an Indian from the cradle to the grave; from birth to death,” he wrote in a letter in 1965 to the Dorabji Tata Trust. Despite initial hurdles, the project came to fruition with the full support of J.R.D. Tata and Professor Rustum Choksi, who convinced the Dorabji Tata Trust to make an endowment of Rs 40 lakh towards building the National Centre for the Performing Arts.
1966
Setting Down the Foundation
“To innovate, to break new ground, to venture on a path not trodden before, is always a difficult and challenging task anywhere, but particularly in a developing country like India with a vast and growing population and heavy demands on its resources to meet the people’s needs.” – J.R.D. Tata
1976
J.R.D. Tata Laying the Foundation Stone
Mr. J.R.D. Tata laid the foundation stone for the Tata Theatre on April 17, 1976. Dr. Jamshed Bhabha’s concept for Tata Theatre was to create a space for the visual and acoustic requirements of Indian music. He visited many concert halls and architectural firms in the West before commissioning one of the world’s great architects, Philip Johnson, to design the auditorium. A similar search for acoustic excellence led Dr. Bhabha to the renowned acoustic consultant, Cyril Harris.
1980
Prince Charles Visit
The NCPA has been a venue visited by a number of heads of state, foreign dignitaries and VIPs. Prince Charles visits the NCPA in December 1980.
1982
Laying the Foundation Stone for the Experimental Theatre
The Tata Iron and Steel Company, in commemoration of its platinum Jubilee, presented the NCPA with the Experimental Theatre, the foundation plaque for which was unveiled by Mr. J.R.D. Tata on 27th May 1982. Based on the principle of the ‘Black Box’ theatre first propagated by Swiss designer Adolphe Appia, which later became popular the world over in the 1970s, this is an unadorned space with black (or dark grey) walls and movable seating modules. The absence of colour gives the audience a sense of ‘any place’, and the lack of décor helps the audience focus on the performance, while giving the director complete flexibility for movement. The NCPA’s Experimental Theatre has been described by many young theatre directors as a critical turning point that shaped the way they looked at theatre craft/métier.
1986
East-West Encounters
The NCPA initiated a series of East-West Encounters involving composers who were invited to participate in an inquiry into the possibilities of creative work, drawing from both Indian and Western sources. The project involved seminars and workshops spanning the fields of music, philosophy, dance, visual arts and drama between 1983 and 1986.
1987
Inauguration of the Piramal Art Gallery
The Centre for Photography as an Art Form, now called The Piramal Gallery, was inaugurated by Mr. J.R.D. Tata, Dr. J.J. Bhabha and Pu La Deshpande in 1987. The NCPA embraces all art forms including the visual medium especially because they are inextricably linked. While most galleries in India focus on the visual arts, this gallery dedicates itself to the art of photography. Since its inception, it has showcased the works of major Indian and international photographers. The Centre is known for promoting art photography as well as for its priceless collection of works of renowned Indian and international photographers.
1987
Inauguration of the Godrej Dance Theatre
The Godrej Dance Academy, like similar facilities at the outset, was started in the NCPA’s Teaching and Research Block. It was here that many outstanding masterclasses were conducted under eminent gurus like Mohanrao Kallianpurkar and Kelucharan Mohapatra. The Godrej Dance Theatre was constructed in 1987 and over the decades, has witnessed numerous dance performances and lecture-demonstrations by acclaimed artistes. The theatre is also the venue for an array of screenings including ballet (in collaboration with the Bolshoi Theatre and Pathé Live), opera (The Metropolitan Opera), theatre (National Theatre) and film (The Indian Express Film Club).
1997
Fire at the Jamshed Bhabha Theatre
Two months before its completion, in the wee small hours of December 31, 1997, the Jamshed Bhabha Theatre was engulfed by fire. By the morning, the entire almost-complete structure was completely gutted, leaving only rubble and ashes. Dr. Jamshed Bhabha rushed to the spot and watched the tragic and swift destruction of a dream. Even as the horror unfolded before him, he cast despair aside and brought his sense of resilience to the fore. Within minutes he had called a meeting to discuss the future course of action. There were to be no recriminations, no time wasted on an enquiry, all that would be later. He merely said, “Tomorrow, we begin reconstruction”. What he wanted to do was rebuild the theatre brick by brick, inch by inch, and do so as quickly as possible. In less than two years, the Jamshed Bhabha Theatre stood proudly again, ready for its inauguration.
1997
Ardha Katha
The NCPA held a week-long celebration to mark the 50 years of Indian Independence in August 1997. The landmark event was ushered in by a midnight concert on August 14, 1997 by Ravi Shankar and Zakir Hussain. Several renowned artistes from all genres of performing arts participated in this festival.
1999
Inauguration of the Jamshed Bhabha Theatre
The Jamshed Bhabha Theatre was inaugurated on November 24, 1999. President KR Narayanan was unable to attend the inauguration due to ill health. The Governor of Maharashtra Mr. P.C. Alexander graced the occasion on his behalf instead and unveiled the inauguration plaque. Dr. Jamshed Bhabha wanted to call it the National Theatre, but was prevailed upon by Khushroo N. Suntook, then Vice Chairman and Executive Director of the NCPA, to call it the Jamshed Bhabha Theatre, in fitting tribute to Dr. Bhabha’s leadership and vision.
2007
Dr. Bhabha's Legacy Continues
Dr. Bhabha’s motto in life was “When the cause is good, the means will follow”. The creation of India’s National Centre for the Performing Arts at Nariman Point in Mumbai is a tangible example of this belief. Dr Jamshed Bhabha passed away on 30th May 2007. He has been ably succeeded as Chairman of the NCPA by Mr. Khushroo N. Suntook, who carries forward the vision and legacy of the Centre’s founding father, with a view to creating an international arts centre for India fit for audiences in the 21st century
2011
Kishori Amonkar receiving the only Lifetime Achievement Award given so far by the NCPA
Khushroo N. Suntook conferring the 'NCPA Lifetime Achievement Award' upon Padma Vibhushan Kishori Amonkar on January 7, 2011, in the presence of Zakir Hussain, Dr. Suvarnalata Rao (Programming Head for Indian Music at NCPA), Sabir Khan, Selva Ganesh and Trilok Gurtu at the Tata Theatre.
2019
NCPA ADD ART Festival
The golden jubilee celebration of the NCPA, held across three days in November and December 2019, was a microcosm of all that the organisation stands for. The multi-genre ADD ART Festival brought together the crème de la crème of art and culture including performances by Arturo Sandoval, Zakir Hussain, Shiv Kumar Sharma, Hariprasad Chaurasia, Birju Maharaj, Aditi Mangaldas, the Symphony Orchestra of India, Jim Sarbh and many more. The joy of experiencing the arts live was extended to audiences beyond the theatres and concert halls, for performers showcased their talent in the myriad open spaces at the NCPA, as enthusiasts soaked in the cultural vibe while enjoying an array of culinary offerings. Adding art to people’s lives drove the 50th-year celebrations, and the city responded with all its love.
